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For a week now, Mariah Carey and her most recent collaborator (and purveyor of some of the most baby-making music in the industry right now) Miguel have been tantalizing fans with snippets of their new song "#Beautiful," which is undoubtedly a result of Carey's worst American Idol judging habit. (The number of times the singer has uttered "hashtag-pow" or "hash-tag" amazing is reaching Randy Jackson-levels of repetitiveness). Now, her social-media-friendly song is officially live on her website and as nice as it is, it's lacking the sheer sexual magnetism we expected from a collaboration between Mimi and the impossibly sexy Miguel.
While it's a little more on the summer fun side of pop music, the song does clearly pull from Miguel's signature gyration-instigating rhythms and Carey's signature runs. Still, it's just a little more easy-going that what we've come to expect from a pairing of this magnitude. Perhaps when we finally get a music video to pair with the music, the full picture of sexual desire will come together. Or, we'll chill out and realize this might actually make a great, simple summer jam and move on with our sunny lives.
After six-and-a-half long years, we were thrilled when Justin Timberlake graced the now-grown children of the '90s with a new album. March gave us The 20/20 Experience, a wholly life-affirming, withdrawal-quelling taste of an early-30s-Timberlake's musical talents. But as exhilarating as "Suit & Tie," "Mirrors," and the rest of the collection's songs were, we were still left feeling a bit incomplete. It wasn't until the announcement that 20/20 was only half of a larger release that we understood why. And on Sunday, our anticipation for the second volume of this melodic bible was hiked tenfold: Timberlake hitInstagram with the release date of The 20/20 Experience (2 of 2).
As revealed in the image, the 10-song album will take material form on Sept. 30, just over six months after the release of its gallant predecessor (as opposed to the six freakin' years we had to wait afterFutureSex/LoveSounds). And now that we're reassured a modern day Timberlake is just as impressive as his Ramen-haired incarnation of yesteryear, we can rest easy.
On top of this, a press release from Timberlake reveals that the artist will be taking his new album on the road in the 20/20 Experience World Tour To sum up, it's going to be a good fall.
Justin Bieber's magnetism is becoming a problem. Not only does he attract legions of screaming girls everywhere he goes, whether he's jaunting off to hotels, grabbing some fro-yo, or living and breathing in some unenclosed space, now he attracts concert goers who leap onstage and attempt to give him a sneak attack bear hug. One man at Bieber's concert in Dubai on May 5 took to the stage to clobber Bieber (we're not sure if it was with love or anger, the video is simply too blurry) while the world's foremost inspiration for binder doodles was singing "Believe" at the piano.
The man was restrained quickly and Bieber wasn't hurt, continuing on with his song and returning to the stage for an encore of "Beautiful" and "Baby" shortly thereafter. And the incident apparently didn't shake the Biebs up all that much, he quickly hopped on Twitter after the show to announce, "Dubai. Nothing stops the show. 2 more to go. #BELIEVEtour." According to The National, Bieber is fine and will not be taking any action against the excitable fan. Bieber's grand piano, however, took the brunt of the violence when it toppled while security guards grabbed the attacker. And while everyone's okay, we can't help but wonder, just what was going on in that fan's head? We've got a few questions for the overzealous chap.
1. Were you trying to hug Bieber or keep him from finishing his pretty little song?
2. If you were trying to hug him, why didn't you go for the gold and try to get a front hug instead of the sneak attack?
3. If you were, in fact, attacking him, what about him is so anger-inducing?
4. Are you in love with Selena Gomez? Perhaps you erupted in a fit of jealous anger?
5. Are you jealous of his innumerable merchandising opportunities? (Perhaps you want Chaunukah and Christmas wrapping paper with your face on it too.)
7. Had you not heard the song before and perhaps thought Bieber needed the Heimlich Manuever?
8. Were you upset that you spent all your money on a front row ticket and he hadn't yet played your favorite song?
9. If so, are you unaware that pop stars generally do encores and that "Baby" was on its way?
10. Are you a wizard? Because how else did you zip up onto that stage before Bieber's guards, specifically trained to keep spontaneous hugs at bay, could catch you?
Watch the full video below. Do you think the fan was just angling for a little affection from Justin?
Naysayers be damned — 2012 did indeed mark the ushering in of a new realm of human existence, shifting the world one January morning with the momentous birth of Blue Ivy Carter. Yes, we remember quite vividly the day we welcomed the offspring of Beyoncé Knowles and Jay-Z into our society, celebrating the amalgam of two of our nation's most beloved artists and entrepreneurs in the form of a 7-pound, oddly-named demigod. And although we couldn't possibly conceive of an era withtwo Blue Ivys (all that power could be dangerous), it seems as though Beyoncé is strongly considering giving her daughter a little brother or sister soon.
Beyoncé spoke with ABC News about her forthcoming animated movieEpic, speaking on her desire to expand her and husband Shawn Carter's family. "I would like more children," Beyoncé says in the video below. "I think my daughter needs some company. I definitely loved being a big sister," referring to her relationship with younger sister, singer Solange Knowles. Of course, Beyoncé is hesitant to commit to these plans just yet, telling viewers that she will explore the option "at some point. When it’s supposed to happen."
So when do you think we'll see the latest addition to the Carter clan? And from what color/plantlife combination will the proud parents borrow his or her name? We're thinking "Chartreuse Moosewood."
More than 50 years ago, author Harper Lee introduced the classic novel To Kill a Mockingbird, and in turn the character of Alabama attorney Atticus Finch. The clear-eyed Southern gentleman was all you'd want in a member of the legal system: honest, devoted, merciful, invigorated by the very tenets of justice. In other words, none of the things people imagine when they think of the average lawyer. And it's because while Atticus Finch might pave the way for liberty in the fictional Maycomb, the real world is cluttered with, shall we say, counsellors of less vivid moral fiber. We're reminded of this by the latest news facing an 87-year-old Lee, who is suing her former literary agent, his wife, and his lawyer for allegedly harboring undue commissions to her classic novel.
Mockingbird's masterful novel painted a courtroom imbued with the fiery issues of racism, abuse, and murder. The present account facing Lee — the writer who changed the lives of every ninth grader with the illustrations of these all-important themes — involves reports of a few people who tried to deprive an ailing octogenarian Pulitzer winner her money. According to Bloomberg, Lee is suing agent Samuel Pinkus, whom she relieved of his position as her literary agent in 2007, for continuing to collect To Kill a Mockingbird royalties that would rightfully belong to her. Also implicated in the case are Pinkus' wife Leigh Ann Winick, and his lawyer Gerald Posner, whose involvement is linked to his having incorporated one of Pinkus' businesses.
Lee's legal representative, Gloria Phares, highlights the author's present medical condition as making her an easy target for Pinkus' alleged scheme. "Pinkus knew that Harper Lee was an elderly woman with physical infirmities that made it difficult for her to read and see. Harper Lee had no idea she had assigned her copyright [to Pinkus]."
And so, we bemoan our real world defecit of Atticus Finches, knowing full well that we won't be hearing any righteous, awe-inspiring courtroom speeches in this or most other cases. Ah, to be 15 and enrapt in Lee's pages once more...
Fans of Brooklyn-based band The National are no stranger to their sorrowful anthems. Every single album of theirs is filled with sad love songs about loss and longing, but in recent years, they've worked to raise their star a bit. From their original compositions for Game of Thrones, to their covers for shows like Boardwalk Empire and evenBob's Burgers, to their recent documentary Mistaken For Strangers,The National is quickly widening its fan base. But the band's latest stunt may lose them a few devoted fans.
As announced, The National played their hit song (and anthem of sadness) "Sorrow" over and over again for six hours at New York's PS1 museum. Music legend Bruce Springsteen has been known to play five-hour concerts, but his at least included storytelling and more than one of his original compositions. But this performance of 105 renditions of "Sorrow" takes the idea of the long, long (long) show to an entirely different place.
The piece was part of Icelandic artist Ragnar Kjartansson's work called "A Lot of Sorrow." The band managed to change it up with a few renditions (see the version below in which the drummer took a break, adding a haunting simplicity to the well-worn tune), but it's hard to imagine listening to any song, especially one with such a downer mood, 105 times in a row without losing one's levity-deprived mind. (Even if someone in their crew thought to serve up a humorous set list with "SORROW" written out 105 times.)
Watch the videos for yourself and let us know: Is this artistic use of The National's biggest song genius or obnoxious?
Though Monday's ultra exclusive Met Gala is for the Beyoncés,Giseles, and Anna Wintours of the world, we got a sneak peek at The Costume Institute of The Metropolitan Museum of Art's PUNK: Chaos to Couture exhibit. Featuring hundreds of high fashion pieces from designers like Alexander McQueen, Dolce and Gabbana, Rodarte, and Viviene Westwood (to name a few), the exhibit examines punk's impact on high fashion from the movement's birth in the 1970s through its continuing influence today.
Click through the gallery to see a preview of our eight favorite moments in the exhibit that follows punk from the dirty bathroom of CBGB and streets of 1970s London to the runways of New York and Milan and even Duchess Kate Middleton's closet.
Back in March, we saw the most jarring episode of plagiarism since William Shakespeare stole King Lear from the Earl of Oxford: Shia LaBeouf "adopted" a 2009 Esquire essay by Tom Chiarella topublicly shame his would-be costar Alec Baldwin, just after opting to drop out of the their imminent Broadway production Orphans. Independent from the project entirely, LaBeouf still managed to voice his antagonism for the 30 Rock star via a series of tweets and emails. All the while, we can only imagine that Baldwin and company had waited with bated breath for the Transformers headliner to grow bored with the play, and set his attention elsewhere. Unfortunately, he's not the only one to do so: less than a month after its stage debut and only a week after garnering a Tony nomination, Orphans is reportedly making plans to call it quits early.
The Hollywood Reporter reports that Daniel Sullivan's production, which also stars Ben Foster and Tom Sturridge, will be taking its bow on May 19, almost six weeks prior to its previously scheduled date of June 30. The play met mixed reviews, and reportedly only managed a 70% capacity during the week of Apr. 23, grossing below $500,000. Considering the hefty paycheck we can imagine Mr. Baldwin is warranting, this is hardly enough to keep the show running.
But back when the play first opened, Baldwin had high hopes. Here, the actor and his costars Foster and Sturridge tell The New York Times about their exciement over their stage endeavor:
But alas, the play meets a sour, early end. If only LaBeouf maintained those email chains, maybe people would still be interested in the darn thing.
